- S. Ansky, The
Dybbuk
- David Auburn 1
(2001), Proof
(2001 Pulitzer Prize for Drama,
2001 Tony Award for Best Play)
- George Axelrod, The
Seven Year Itch
- Richard Beer-Hofmann, Der
Graf von Charolais, Jaakobs
Traum, Der
junge David
- S. N. Behrman, No
Time for Comedy, The
Cold Wind and the Warm
- David Belasco, Madame
Butterfly (based on a story by J.L. Long), The
Girl of the Golden West (both plays later made into
operas by
Puccini)
- Tristan Bernard, Les
pieds nickelés, L'anglais
tel qu'on le parle, Le
petit café, Jules,
Juliette, et Julien, Le
sauvage, Que le monde
est petit
- Abe Burrows, How to Succeed in Business Without Really
Trying (1962
Pulitzer Prize for Drama)
- Jerome Chodorov, My Sister
Eileen (basis for the musical Wonderful Town),
A
Talent for Murder
- Edna Ferber, Dinner
at Eight, Stage Door (both with George
S. Kaufman)
- Harvey Fierstein, Torch
Song Trilogy (1983
Tony Award for Best Play)
- Herb Gardner, A
Thousand Clowns, I'm
Not Rappoport (1986 Tony
Award for Best Play)
- Richard Greenberg, Take
Me Out (2003 Tony Award
for Best Play)
- Moss Hart, Once in a
Lifetime, You Can't Take It With You (1937
Pulitzer Prize for Drama), The
Man Who Came to Dinner
(with George S. Kaufman)
- Ben Hecht, The
Front Page (co-authored with Charles MacArthur)
- Lillian Hellman, The
Children's Hour, The Little
Foxes, Watch on the
Rhine
- Israel Horovitz, The
Indian Wants the Bronx, Line,
Park Your Car in Harvard Yard
- Eugène Ionesco 2, Rhinoceros, The Lesson, The
Chairs, Victims of Duty, The
New Tenant, The Killer, Exit
the King
- George S. Kaufman, Once in a
Lifetime (with Moss Hart), You
Can't Take It With You (1937 Pulitzer Prize for
Drama, with Moss Hart), The
Man Who Came to Dinner (with Moss Hart), Dinner
at Eight (with Edna Ferber), Stage
Door (with Edna Ferber), Of
Thee I Sing (1932
Pulitzer Prize for Drama, with Morrie
Ryskind and Ira Gershwin)
- Sidney Kingsley, Men in White, Detective Story (1934
Pulitzer Prize for Drama)
- Joseph Kramm, The
Shrike (1952
Pulitzer Prize for Drama)
- Karl Kraus, Die letzten Tage der Menschheit
(The Last Days of Mankind)
- Tony Kushner, Angels in
America: Millennium Approaches (1993
Pulitzer Prize for Drama, 1993
Tony
Award for Best Play), Angels in
America: Perestroika (1994 Tony
Award for Best Play)
- Arthur Laurents, Home of the
Brave
- Jerome Lawrence, Inherit the
Wind (co-author)
- David Mamet, Glengarry Glen
Ross (1984 Pulitzer
Prize for Drama), Speed the Plow
- Donald Margulies, Dinner With Friends (2000
Pulitzer
Prize for Drama)
- Mark Medoff, Children
of a Lesser God (1980
Tony Award for Best Play)
- Arthur Miller, All
My Sons (1947 Tony
Award for Best Play), Death
of a Salesman (1949
Pulitzer Prize for Drama, 1949
Tony Award for Best Play), The Crucible (1953
Tony Award for Best Play), A
View from the Bridge
- Ferenc Molnar, The
Devil, Liliom
(story basis for the musical Carousel),
The Guardsman (inspiration
for the musical comedy The Chocolate
Soldier), The
Tale of the Wolf
- Clifford Odets, Waiting for
Lefty, Awake and Sing!, Golden Boy
- Harold Pinter, The Homecoming (1967
Tony Award for Best Play), The
Caretaker, The
Birthday Party; 2005
Nobel
Prize for Literature
- Bernard Pomerance, The Elephant
Man (1979 Tony Award for Best
Play)
- Yasmina Reza, 'Art'
(1998 Tony Award for Best Play)
- Elmer Rice, Love Among the
Ruins, Between Two
Worlds, Street Scene
(1929 Pulitzer Prize for Drama)
- Howard Sackler, The Great
White Hope (1969 Pulitzer Prize
for Drama, 1969 Tony Award for
Best Play)
- Dory Schary, Sunrise
at Campobello (1958
Tony Award for Best Play)
- Arthur Schnitzler, Liebelei,
Reigen (later made
into the film La Ronde),
Der einsame Weg, Zwischenspiel,
Der Ruf des Lebens, Das
Weite Land, Professor
Bernhardi
- Anthony Shaffer, Sleuth
(1971 Tony Award for Best Play)
- Peter Shaffer, Equus (1975
Tony Award for Best Play), Amadeus (1981 Tony Award for Best Play), Five-Finger
Exercise
- Evgeny Shvarts 3, The
Dragon
- Neil Simon, Come Blow Your
Horn, Barefoot in the Park, The Odd Couple, The Prisoner of Second Avenue,
Brighton Beach Memoirs,
Biloxy Blues (1985
Tony Award for Best Play), Broadway Bound, Lost in Yonkers
(1991 Pulitzer Prize for Drama,
1991 Tony Award for Best Play)
- Sir Tom Stoppard, Rosencrantz
& Guidenstern Are Dead (1968
Tony Award for Best Play), Travesties (1976
Tony Award for Best Play), The Real Thing (1984
Tony Award for Best Play)
- Alfred Uhry, Driving Miss
Daisy (1988 Pulitzer
Prize for Drama), The Last Night of Ballyhoo (1997
Tony Award for Best Play)
- Wendy Wasserstein, The Heidi
Chronicles (1989
Pulitzer Prize for Drama, 1989
Tony Award for Best Play), The
Sisters Rosensweig
- Peter Weiss 4, Marat/Sade (1966
Tony Award for Best Play)
- Franz Werfel, Spiegelmensch,
Bocksgesang, Paul
Among the Jews, The
Eternal Road
- Sir Arnold Wesker, Roots, Chicken Soup with Barley
- Herman Wouk, Caine
Mutiny Court-Martial
- Israel Zangwill, The
Melting Pot
- Paul Zindel, The Effect of Gamma Rays on
Man-in-the-Moon Marigolds (1971
Pulitzer Prize for Drama)
NOTES
1. Jewish mother, non-Jewish
father.
2. Jewish
mother, non-Jewish
father. There appears to be considerable controversy over this
assertion, but it is essentially what Ionesco himself said in a 1968
article that appeared in the weekly publication Figaro Littéraire. On
page 15 of the 5 August 1968 issue, Ionesco states in discussing his
father's ever-changing politics: "L'avocat, toujours dans le sens de
l'histoire, devient partisan des Gardes de fer et dit à son fils
dont la mère était juive: <<J'ai
commis une grande faute dans ma vie: j'ai sali mon sang, je doit
racheter le péché du sang>>,"
which translates as: "The lawyer, still going in the same direction as
History, became a partisan of the Iron Guards and said to his son whose
mother was Jewish: 'I have committed one great error in my life: I have
sullied my blood; I must redeem the sin of the blood'." Although
Ionesco refers to his father here simply as "l'avocat" ("the lawyer" -
his father's profession), the description he gives of
"l'avocat " matches precisely the political biography of his
father (police inspector and German collaborator in Bucharest during World War I, then
a supporter of Averesco, then a social democrat and a Mason, then a
supporter of Condréanu and the Iron Guard, then of Antonescu and
the Nazis, and finally of the Communists, always somehow managing to
remain in the good graces of whatever political order was in
ascendancy). Ionesco then states explicitly "et pourtant, ma père n' était pas à vrai dire un opportuniste," which
translates as "and yet, my father was not really an opportunist."
So there is really no question as to whether Ionesco was, in
fact,
discussing his father and himself in this passage. The article
was one of three appearing in Figaro
Littéraire
(in the 29 July, 5 August, and 12 August 1968 issues) that were
described as being excerpts from his then forthcoming
memoir Présent
Passé, Passé Présent (Mercure de France, 1968). The
text of Présent
Passé, Passé Présent (on pp. 185-186, and on pp. 129-130 of its English translation by
Helen Lane), however, deletes the phrase "dont la mère était
juive" ("whose mother was Jewish") and uses "l'homme" ("the
man") in place of "mon père" ("my father"). Of course,
without the phrase "whose mother was Jewish," the statement by the Iron
Guard sympathizer about needing to redeem himself for having "sullied
[his] blood" no longer makes any sense.
3. Jewish father, non-Jewish
mother.
4. Jewish father, non-Jewish mother.